Pujan Sadri

Geboren 1993 in Marl, studierte Pujan Sadri Schauspiel an der Folkwang Universität der Künste in Bochum. Erste Theatererfahrungen machte er vor seinem Studium am Düsseldorfer Schauspielhaus. Während seines Studiums blieb er weitestgehend in Bochum. Sein erstes Festengagement führte ihn 2021 ans Theater Osnabrück. Seit der Spielzeit 2022/2023 ist er festes Ensemblemitglied am Residenztheater.

Productions

Einmal wöchentlich bieten wir Spielklubs für verschiedene Altersgruppen und mit unterschiedlichen Themen an, die von Ensemblemitgliedern, Regieassistent*innen und einer Theaterpädagogin angeleitet werden. So haben Teilnehmer*innen die Möglichkeit, ohne Vorkenntnisse und Casting, eine ganze Spielzeit lang miteinander eine eigene Produktion bis zur Premiere zu entwickeln.
Beim Kick-off-Treffen stellen wir unsere Teams und ihre Ideen vor.

KICK-OFF 14+
Sat 30 Nov

Iranian playwright and director Pooyan Bagherzadeh depicts the moving picture of a mother in Iran and her son in Germany.

Sohn einer Mutter. Mutter eines Sohns. (Son of a mother. Mother of a son.)
Marstall, 20.00 o'clock
Tue 26 Nov
Marstall, 20.00 o'clock
Thu 19 Dec
Marstall, 19.00 o'clock
Sun 29 Dec
Marstall, 20.00 o'clock
Mon 20 Jan

«And often the outward signs of ascent only become apparent once the decline has begun again.» In his 1901 novel, subtitled «The Decline of a Family», Thomas Mann uses precise characterisation and an ironic style to describe the incipient structural collapse of the grande bourgeoisie. Mann drew his inspiration for «Buddenbrooks» from the story of his own family in Lübeck and people of the city where he was living at the time: Munich. Mann shows the potential complexity of relations between North and South Germany with considerable humour in the relationship between Tony Buddenbrook and the Munich hop-trader Alois Permaneder.

Buddenbrooks
Cuvilliéstheater, 19.30 o'clock
Wed 27 Nov
Cuvilliéstheater, 19.30 o'clock
Mon 02 Dec

1937 in a fishing village after the outbreak of the Spanish Civil War. Mrs. Carrar has forbidden her sons to join the fight against Franco. She desperately hopes to be spared war and terror. But how much longer can she protect herself and her sons? And what should she say to her brother, who demands that she hand over the guns hidden in the house and asks the all-important question: «If the sharks attack you, is it you who will use violence?» In Brecht's short play, everything revolves around the unsettling question of the possibility of neutral abstention. In his play «Choking Lead», playwright Björn SC Deigner continues Brecht's question in the present and searches for a language for the timeless horror of war and destruction.

Die Gewehre der Frau Carrar/Würgendes Blei (Senora Carrar’s rifles/Choking Lead)
Premiere
Marstall
Sat 14 Dec
If applicable, remaining tickets
Save date
Marstall, 20.00 o'clock
Tue 17 Dec
7.30 p.m. Introduction
Remainders Save date
Marstall, 20.00 o'clock
Mon 23 Dec
Marstall, 20.00 o'clock
Sat 28 Dec
Marstall, 20.00 o'clock
Thu 16 Jan
Marstall, 19.00 o'clock
Sun 26 Jan
Marstall, 20.00 o'clock
Thu 30 Jan

Ostend – the Atlantic coast, driving snow, New Year’s Eve, in the foyer of a hotel whose best days are behind it. This is where Minetti, an old «theatre artist», ends up lonely – and yet surrounded by a group of «madmen». Or are they like minds? Celebrating, wearing masks, drunk … of whom we do not know where they come from or where they are going to – they all pass across the hotel foyer like creatures from another world… Is this a comedy? Or a tragedy?

Minetti

You are how you speak. Professor of Phonetics Higgins makes a bet with his friend Pickering that he can turn the energetic Eliza Doolittle, who sells flowers in the street to make ends meet and speaks the broadest dialect, into an upper-class lady with immaculate articulation. Eliza proves to be a disciplined and talented pupil who manages to pass the test of entering high society. Higgins attributes this success to his own genius and automatically lays claim to her. He fails to notice that his teaching has helped Eliza to become a self-aware and thoughtful woman who is not only capable of making her own decisions but of acting on them too.

Pygmalion
Cuvilliéstheater, 19.30 o'clock
Sat 23 Nov
Cuvilliéstheater, 19.30 o'clock
Thu 28 Nov
7 p.m. Introduction
Tickets Save date
Cuvilliéstheater, 19.30 o'clock
Fri 06 Dec

At Whitsun the lion king Nobel invites his subjects to his court for an early summer celebration. The entire animal kingdom gathers – ranging from the crane to the wolf and the bear. Only one animal is missing: the fox called Reineke. As soon as his name his mentioned, the mood of harmony vanishes. One angry accusation follows another and Reinike the fox is charged in his absence with a series of incredible crimes. The cockerel, for example, complains of losing his wife and children – Reineke ate them for supper. When he is eventually put on trial, the accomplished liar – an animal equivalent of Ibsen’s Peer Gynt – manages to pull the wool over everyone’s eyes – man, woman or creature – and slip his neck out of the noose. Eventually he even acquires a whole crowd of followers and is elected Chancellor.

 

The moral of the story is that not everyone with foxy cunning and a talent for oratory puts those gifts to benevolent use – on the contrary! But how can we tell the difference between truth and lies? How can we avoid being taken in by the peddlers of fake news? How can we remain faithful to our own opinions and values?

Reineke Fuchs
Marstall, 11.00 o'clock
Thu 28 Nov
Marstall, 11.00 o'clock
Fri 29 Nov
If applicable, remaining tickets
Save date
Marstall, 17.00 o'clock
Sun 15 Dec
If applicable, remaining tickets
Save date

The wedding of Theseus and Hippolyta is just around the corner. But first Theseus has to help his friend Egeus. His daughter Hermia has fallen in love with the wrong man, Lysander. In order to change Hermia's mind, an effective threat is set up. The lovers have only one choice: to flee into the darkness of a dreamy June night. And here, in the pale glow of the wild setting, reality and reason are transformed into sexual desire and animal lust. «A Midsummer Night's Dream» is not only William Shakespeare's best-known comedy, but also perhaps his most abysmal. Stephan Kimmig stages the creatures from Shakespeare's famous fairy world as real-life eccentrics. Weird, unconventional and dazzling, they radically question what is considered normal.

Ein Sommernachtstraum (A Midsummer Night's Dream)
Residenztheater, 16.00 o'clock
Sun 24 Nov
Residenztheater, 19.30 o'clock
Sat 07 Dec
Residenztheater, 19.00 o'clock
Mon 16 Dec
Residenztheater, 18.00 o'clock
Thu 26 Dec
Residenztheater, 19.00 o'clock
Tue 31 Dec
Residenztheater, 19.30 o'clock
Sat 11 Jan
Residenztheater, 19.30 o'clock
Tue 14 Jan
Residenztheater, 19.30 o'clock
Fri 17 Jan

Ensemble