Oliver Stokowski
Geboren 1962 in Kassel, studierte Oliver Stokowski dort zuerst Musik, bevor er sein Schauspielstudium an der Hochschule für Musik und Darstellende Kunst Graz absolvierte. Anschließend wurde er Ensemblemitglied am Staatstheater Hannover. Von 1993 bis 2001 war er Ensemblemitglied am Residenztheater, spielte u. a. den Hamlet inszeniert von Matthias Hartmann und erhielt 1999 den Kurt-Meisel-Preis der Freunde des Residenztheaters.
Im ZDF war er von 2001 bis 2005 «Der Ermittler» in der gleichnamigen Hamburger Krimi-Reihe, wofür er den Deutschen Schauspielerpreis bekam. Er spielte in der amerikanischen Krimireihe «Crossing Lines» und in der Hollywoodproduktion «The Bookthief» an der Seite von Geoffrey Rush und Emily Watson.
2014 erhielt er den Grimmepreis und zum zweiten Mal den Deutschen Schauspielerpreis für «Zeit der Helden». Es folgten Engagements am Schauspielhaus Bochum und am Schauspielhaus Zürich, bevor er 2013 Ensemblemitglied am Burgtheater in Wien wurde. Er arbeitete u. a. mit Jürgen Gosch, Klaus Emmerich, Hans Neuenfels, Leander Haußmann, David Bösch, Roland Schimmelpfennig, Alvis Hermanis und Andrea Breth zusammen. Seit der Spielzeit 2019/2020 ist er erneut festes Ensemblemitglied am Residenztheater.
Performing in
In poetic images and with moving music, the ensemble of actors, dancers and singers tell a drama about the unfulfilled love of Hans Christian Andersen's unfulfilled love and how the famous fairy tale writer fairy tale poet merges with one of his most famous characters, the the little mermaid. Andersen's escape from reality becomes a touching, visually stunning theatre event.
Andersens Erzählungen (Andersen’s stories)With «Success», we journey into the inner workings of a society in which everything is measured in terms of personal career advantage, the demands of embittered contemporaries, hatred of one’s neighbours, anger at those with a different political opinion and one’s own lack of any sense of direction.
Erfolg (Success)1937 in a fishing village after the outbreak of the Spanish Civil War. Mrs. Carrar has forbidden her sons to join the fight against Franco. She desperately hopes to be spared war and terror. But how much longer can she protect herself and her sons? And what should she say to her brother, who demands that she hand over the guns hidden in the house and asks the all-important question: «If the sharks attack you, is it you who will use violence?» In Brecht's short play, everything revolves around the unsettling question of the possibility of neutral abstention. In his play «Choking Lead», playwright Björn SC Deigner continues Brecht's question in the present and searches for a language for the timeless horror of war and destruction.
Die Gewehre der Frau Carrar/Würgendes Blei (Senora Carrar’s rifles/Choking Lead)New York City in the final months of the Obama Presidency. While the writer Toby Darling feverishly awaits the premiere of his play, his partner Eric Glass spends time with his acquaintance Walter. His conversations with the 55-year-old take Eric back to a past which as a gay man in his early thirties he only knows from hearsay: the devastating AIDS epidemic that rocked the LGBTQ community at the beginning of the 1980s.
Das Vermächtnis (The Inheritance) – Part 1New York City in the final months of the Obama Presidency. While the writer Toby Darling feverishly awaits the premiere of his play, his partner Eric Glass spends time with his acquaintance Walter. His conversations with the 55-year-old take Eric back to a past which as a gay man in his early thirties he only knows from hearsay: the devastating AIDS epidemic that rocked the LGBTQ community at the beginning of the 1980s.
Das Vermächtnis (The Inheritance) – Part 2Intrigues, conspiracies, political intrigues - Schiller's tragedy depicts the power struggle between the English Queen Elizabeth I and the Scottish Queen Mary Stuart. But what if only chance decides between power and powerlessness? Then the roles could also be «swapped». For each performance, a draw is held to decide which of the two actresses will play the victor or the vanquished.
Maria StuartRomeo and Juliet set the language of love against the war of their relatives, the language of the dagger. Will they manage to set an example against the irreconcilable enmity that prevails in Verona? In-house director Elsa-Sophie Jach re-stages the world's most famous love story and the dance on the volcano that sweeps its main characters away, with lots of music and hot hearts.
Romeo und Julia (Romeo and Juliet)After many years, Gregers returns to his home country. His father, a successful entrepreneur, offers him the opportunity to join the company management, from which he has to retire for health reasons. Gregers refuses and at the same time learns that his father is secretly financially supporting the family of his old friend Hjalmar Ekdal, who lives in the most modest of circumstances, and becomes suspicious. Why is the capitalist suddenly showing himself to be a philanthropist? In his tragedy, Henrik Ibsen shows how the capitalist system has a direct impact on the private sphere and undermines social cohesion. The Norwegian Johannes Holmen Dahl, one of the most sought-after directors in Scandinavia, is now staging his German debut with a major work by his famous compatriot.
Die Wildente (The wild duck)