ENGLISH SURTITLES

The filter below allows you to search specifically for all performances with English surtitles.

Schedule

Reset filters

21 Jan

Tuesday

Tue 21 Jan

Marstall, 20.00–21.40 o'clock

Eine Zierde für den Verein (A credit to the club)

ABOUT SMOKING, EXERCISING, LOVING AND SELLING after the novel by Marieluise Fleißer adapted for the stage by Elsa-Sophie Jach
Prices V
33 €
If applicable, remaining tickets

During the global economic crisis of the 1920s, a young woman tries out self-realization and yet ends up in a restrictive marriage, confronted with misogyny and male bonding as well as the rise of National Socialism. Elsa-Sophie Jach adapts Marieluise Fleisser's only novel for the stage.

Go to page «Eine Zierde für den Verein (A credit to the club)»

22 Jan

Wednesday

Wed 22 Jan

Residenztheater, 19.00 o'clock
Premiere

Sankt Falstaff (Saint Falstaff)

by Ewald Palmetshofer freely adapted after Shakespeare’s «King Henry IV»
World Premiere/Commissioned Work
Premiere
Prices H
21 bis 64 €

The coup d'état has succeeded, the old government has been swept away. Henry and his followers rule the country like a king. But the king is old and ill and there is no suitable successor in sight. In Mrs. Flott's pub, however, business is going extremely well. John Falstaff spends his nights there with his intimate friend Harri - a mismatched pair, united by their shared desire for sharp-tongued speech and plenty of beer. However, when Harri receives an immoral offer from the center of power, it sheds new light not only on the future of the state, but also on John's friendship with Harri. Austrian playwright Ewald Palmetshofer's new adaptation of Shakespeare's history play, in which royal drama and comedy join hands, is both linguistically polished and crudely comic.

Go to page «Sankt Falstaff (Saint Falstaff)»

23 Jan

Thursday

Thu 23 Jan

Residenztheater, 19.30–21.15 o'clock | For the last time for now

Valentiniade. Sportliches Singspiel mit allen Mitteln (Valentiniade. Sporting Singspiel with no Holds barred)

by and after Karl Valentin and with texts by Michel Decar
Prices G
17 bis 57 €

In her new work, the director Claudia Bauer, who has been invited to the Berlin Theatertreffen four times and is renowned for her work with fast and furious acting ensembles, now tackles someone who typifies Munich, the brilliant comedian Karl Valentin. In her usual, opulent stage language she will devise a homage to the Bavarian whose anarchic approach to language led the critic Alfred Kerr to invent the term «Wortzerklauberer», someone who steals words and tears them to pieces.

Go to page «Valentiniade. Sportliches Singspiel mit allen Mitteln (Valentiniade. Sporting Singspiel with no Holds barred)»

24 Jan

Friday

Fri 24 Jan

Residenztheater, 19.30–21.30 o'clock | WITH ENGLISH SURTITLES

Agamemnon

by Aeschylus
Prices H
21 bis 64 €

The cycle of revenge and retribution is endless. Every drop of blood spilt has to be atoned for with more. Everyone thinks they have the law and the will of the gods on their side and this conviction drives them on to commit new injustices. This is the spiral of violence that grips the ruling house of the Atrides in Aeschylus’s «Agamemnon», the first part of his trilogy «The Oresteia».

Go to page «Agamemnon»

25 Jan

Saturday

Sat 25 Jan

Residenztheater, 19.30–21.00 o'clock | WITH ENGLISH SURTITLES | 6-7 p.m. Introduction Special with Martina Wörgötter-Peck, Director of the Stefan Zweig Center Salzburg

Sternstunden der Menschheit (Decisive moments in history)

after Stefan Zweig in a version by Thom Luz
Prices G
17 bis 57 €

In his historical miniatures, Stefan Zweig brings together brilliant achievements in European history that tell of unbreakable vitality as well as human weaknesses. In Thom Luz' poetic and musical production, they become archive material that is explored, sung about, brought to life in brief moments and also set in relation to Stefan Zweig's own biography and his journey into exile in Brazil.

Go to page «Sternstunden der Menschheit (Decisive moments in history)»

Sat 25 Jan

Marstall, 20.00–21.40 o'clock

Eine Zierde für den Verein (A credit to the club)

ABOUT SMOKING, EXERCISING, LOVING AND SELLING after the novel by Marieluise Fleißer adapted for the stage by Elsa-Sophie Jach
Prices V
33 €
If applicable, remaining tickets

During the global economic crisis of the 1920s, a young woman tries out self-realization and yet ends up in a restrictive marriage, confronted with misogyny and male bonding as well as the rise of National Socialism. Elsa-Sophie Jach adapts Marieluise Fleisser's only novel for the stage.

Go to page «Eine Zierde für den Verein (A credit to the club)»

26 Jan

Sunday

Sun 26 Jan

Residenztheater, 16.00 o'clock

Sankt Falstaff (Saint Falstaff)

by Ewald Palmetshofer freely adapted after Shakespeare’s «King Henry IV»
World Premiere/Commissioned Work
Neuproduktionsabo
Prices G
17 bis 57 €

The coup d'état has succeeded, the old government has been swept away. Henry and his followers rule the country like a king. But the king is old and ill and there is no suitable successor in sight. In Mrs. Flott's pub, however, business is going extremely well. John Falstaff spends his nights there with his intimate friend Harri - a mismatched pair, united by their shared desire for sharp-tongued speech and plenty of beer. However, when Harri receives an immoral offer from the center of power, it sheds new light not only on the future of the state, but also on John's friendship with Harri. Austrian playwright Ewald Palmetshofer's new adaptation of Shakespeare's history play, in which royal drama and comedy join hands, is both linguistically polished and crudely comic.

Go to page «Sankt Falstaff (Saint Falstaff)»

Sun 26 Jan

Marstall, 19.00–20.25 o'clock

Die Gewehre der Frau Carrar/Würgendes Blei (Senora Carrar’s rifles/Choking Lead)

by Bertolt Brecht / a sequel by Björn SC Deigner
World Premiere/Commissioned Work
Prices V
33 €

1937 in a fishing village after the outbreak of the Spanish Civil War. Mrs. Carrar has forbidden her sons to join the fight against Franco. She desperately hopes to be spared war and terror. But how much longer can she protect herself and her sons? And what should she say to her brother, who demands that she hand over the guns hidden in the house and asks the all-important question: «If the sharks attack you, is it you who will use violence?» In Brecht's short play, everything revolves around the unsettling question of the possibility of neutral abstention. In his play «Choking Lead», playwright Björn SC Deigner continues Brecht's question in the present and searches for a language for the timeless horror of war and destruction.

Go to page «Die Gewehre der Frau Carrar/Würgendes Blei (Senora Carrar’s rifles/Choking Lead) »

27 Jan

Monday

Mon 27 Jan

Residenztheater, 19.30–21.00 o'clock

Werther

A Theatrical Folly by Johann Wolfgang Goethe with texts by Karoline von Günderrode
Prices E
13 bis 48 €

In her adaptation, the director Elsa-Sophie Jach has seized on the idea Goethe abandoned and transfers Goethe’s love-sick alter ego to the stage. «WERTHER. A Theatrical Folly» supplements Goethe’s shimmering, astonishingly modern rush of emotion with texts by one of his contemporaries: Karoline von Günderrode.

Go to page «Werther»

28 Jan

Tuesday

Tue 28 Jan

19.00–21.00 o'clock

Resi-Workshop

Prices 15/8€
15/8 €

Once a month, you have the opportunity to creatively explore a play from our program in the «Resi Workshop». In the two-hour workshop you will approach the respective production with text excerpts, playful exercises and improvisations.

Go to page «Resi-Workshop»

Tue 28 Jan

Residenztheater, 19.30–20.50 o'clock

Jetzt oder nie (Now or never)

An evening of songs by Florian Paul and Max Rothbart
Prices F
15 bis 52 €

Imagine that you haven’t been born yet. And imagine too that your whole life so far is unimportant. Just like all the opportunities you might have missed or bad decisions you might have made. Leave it all behind you. In «Now or Never» we are going to make a completely fresh start!

Go to page «Jetzt oder nie (Now or never)»

Tue 28 Jan

Cuvilliéstheater, 19.30–21.30 o'clock

Die Wildente (The wild duck)

by Henrik Ibsen
Prices H
21 bis 64 €

After many years, Gregers returns to his home country. His father, a successful entrepreneur, offers him the opportunity to join the company management, from which he has to retire for health reasons. Gregers refuses and at the same time learns that his father is secretly financially supporting the family of his old friend Hjalmar Ekdal, who lives in the most modest of circumstances, and becomes suspicious. Why is the capitalist suddenly showing himself to be a philanthropist? In his tragedy, Henrik Ibsen shows how the capitalist system has a direct impact on the private sphere and undermines social cohesion. The Norwegian Johannes Holmen Dahl, one of the most sought-after directors in Scandinavia, is now staging his German debut with a major work by his famous compatriot.

Go to page «Die Wildente (The wild duck)»

29 Jan

Wednesday

Wed 29 Jan

Residenztheater, 19.30–22.00 o'clock | WITH ENGLISH SURTITLES

Andersens Erzählungen (Andersen’s stories)

A piece of music theatre by Jherek Bischoff, Jan Dvořák and Philipp Stölzl
German Premiere
Prices I
25 bis 69 €

One stormy night in 1836, Hans Christian Andersen arrives uninvited at the home of his childhood friend Edvard Collin, who is to marry his fiancée Henriette the next day. Andersen has travelled through the wind and the rain to once again confess his love for Edvard. The family provide a frosty reception and the groom himself is out celebrating his last night as a bachelor. Only Henriette feels attracted to the unconventional charm of their guest, who lives in a fantasy world continually surrounded by characters from his own fairy tales. He magically transforms a sober room into a sparkling underwater landscape and castles of otherworldly beauty. And he starts telling his friend’s fiancée the fairy tale of The Little Mermaid: burning with love for a Prince, she wishes to become human and is willing to sacrifice her voice and her home to do so – risking her life.

Go to page «Andersens Erzählungen (Andersen’s stories)»

30 Jan

Thursday

Thu 30 Jan

Residenztheater, 19.30–21.10 o'clock | WITH ENGLISH SURTITLES | Theatertag | Theater day: 18/12 Euro on all seats

James Brown trug Lockenwickler (James Brown wore curlers)

by Yasmina Reza
world premiere
Prices Theatertag
18/12€

Yasmina Reza, the celebrated author of hit social comedies such as «The God of Carnage» and «Life x 3» and bestselling novels – most recently «Serge» – has written a new play that incisively dramatises the profound problems of understanding that increasingly dominate relations between generations.

Go to page «James Brown trug Lockenwickler (James Brown wore curlers)»

Thu 30 Jan

Marstall, 20.00–23.00 o'clock | 19.30 Introduction

Die Gewehre der Frau Carrar/Würgendes Blei (Senora Carrar’s rifles/Choking Lead)

by Bertolt Brecht / a sequel by Björn SC Deigner
World Premiere/Commissioned Work
Prices V
33 €

1937 in a fishing village after the outbreak of the Spanish Civil War. Mrs. Carrar has forbidden her sons to join the fight against Franco. She desperately hopes to be spared war and terror. But how much longer can she protect herself and her sons? And what should she say to her brother, who demands that she hand over the guns hidden in the house and asks the all-important question: «If the sharks attack you, is it you who will use violence?» In Brecht's short play, everything revolves around the unsettling question of the possibility of neutral abstention. In his play «Choking Lead», playwright Björn SC Deigner continues Brecht's question in the present and searches for a language for the timeless horror of war and destruction.

Go to page «Die Gewehre der Frau Carrar/Würgendes Blei (Senora Carrar’s rifles/Choking Lead) »

Thu 30 Jan

Marstall, 20.00 o'clock
Premiere

Daddy

by Marion Siéfert and Matthieu Bareyre
German Language Premiere
Prices T
25 €
If applicable, remaining tickets

In her artistic work, Marion Siéfert searches for theater in the depths of our increasingly digitalized reality. She uses the stage and its long tradition of playing with identity to create a world in which reality and fiction blur into one another, but at the same time brutally collide. In this gamified parallel world, she encounters dozens of players who increasingly cast a spell over her. Among them is twenty-seven-year-old Julien, who invites her to try out the newly released game «Daddy».

Go to page «Daddy»

31 Jan

Friday

Fri 31 Jan

Residenztheater, 19.30–21.15 o'clock

Das Schloss (The Castle)

after the novel von Franz Kafka
Abo 51
Prices H
21 bis 64 €

One night a stranger named K. enters a village guest house. He is told that no one is allowed to stay in the village without permission from the authorities in the castle just outside it. K. identifies himself as a surveyor who has been hired by the castle only to be informed three days later that no surveyor is required and it is not even certain that one was ever sent for. For reasons that are unclear and against his wishes, K. is given the job of school caretaker, even though he also receives a letter from the castle confirming that his work as a surveyor was entirely satisfactory. While the castle administration operates in a dubious manner and the decisions of its officials appear arbitrary, the veracity of K.’s incoherent statements is equally subject to doubt.

Go to page «Das Schloss (The Castle)»

Fri 31 Jan

Cuvilliéstheater, 19.30–21.30 o'clock

Die Wildente (The wild duck)

by Henrik Ibsen
Prices H
21 bis 64 €

After many years, Gregers returns to his home country. His father, a successful entrepreneur, offers him the opportunity to join the company management, from which he has to retire for health reasons. Gregers refuses and at the same time learns that his father is secretly financially supporting the family of his old friend Hjalmar Ekdal, who lives in the most modest of circumstances, and becomes suspicious. Why is the capitalist suddenly showing himself to be a philanthropist? In his tragedy, Henrik Ibsen shows how the capitalist system has a direct impact on the private sphere and undermines social cohesion. The Norwegian Johannes Holmen Dahl, one of the most sought-after directors in Scandinavia, is now staging his German debut with a major work by his famous compatriot.

Go to page «Die Wildente (The wild duck)»

Fri 31 Jan

Marstall, 20.00–21.15 o'clock

MOSI - The Bavarian Dream

by Alexander Eisenach
World premiere / Commissioned work
Prices W
37€

A prince of fashion and a fairy-tale king. A bird of paradise and a cult figure. A Munich original and a philanthropist. During the course of his lifetime, Rudolph Moshammer was given countless of these nicknames and soubriquets. Everyone recognized him as an eccentric with his dog Daisy on his arm, a talk show guest and man of society. Like his role model, Bavaria’s fairy-tale king Ludwig II, he loved glamour, opulence, and excess. In his appearances as an actor and in advertisements, as a singer in the preliminary round for the Eurovision Song Contest and with books like «Mama und ich» (Mama and Me), he became a cult figure and his fashion boutique «Carnaval de Venise» in Maximilianstraße became a cult address and place of pilgrimage for Mosi fans.

Go to page «MOSI - The Bavarian Dream»