Max Mayer
Geboren 1974 in Wien, studierte Max Mayer am Konservatorium der Stadt Wien Schauspiel. Nach zahlreichen Arbeiten als freier Schauspieler war er u. a. von 2006 bis 2008 Ensemblemitglied am Schauspielhaus Graz, von 2008 bis 2013 im Ensemble des Schauspielhaus Wien sowie von 2014 bis 2016 am Schauspiel Frankfurt auf der Bühne zu erleben. 2011 erhielt er den Nestroy-Preis als «Bester Schauspieler». Weitere Engagements führten an das Thalia Theater Hamburg, Deutsche Schauspielhaus Hamburg, an das Schauspielhaus Bochum sowie an das Burgtheater Wien und das Schauspiel Köln. Eine intensive Zusammenarbeit verbindet ihn mit dem Regisseur Robert Borgmann. Seit der Spielzeit 2019/2020 ist er im Ensemble des Residenztheaters.
Performing in
In der Erzählung von 1917 wird ein Mensch gewordener Affe von einer von unbestimmten Akademie aufgefordert, Bericht über sein «äffisches Vorleben» zu erstatten. Nach seiner radikalen Auseinandersetzung mit «Mars» von Fritz Zorn befragt Max Mayer mit seinem Team Systeme gesellschaftlicher Unterdrückung und deren vermeintliche Überwindung durch Anpassung.
Bericht für eine Akademie«Mitläufer» (Followers) is a historical exploration of the contradictory biographies of those whose close contacts with the Nazi party helped them to reach the top echelons of the theatre. In this research project, the Residenztheater, one of the oldest German theatres, examines a dark chapter in its own history.
Mitläufer (Followers)Ishmael signs on to the «Pequod», an old whaler. However, it soon becomes clear that the aim of the voyage is not just to exploit the world's oceans and their giant marine mammals, but Captain Ahab's personal vendetta. Melville's «Moby Dick» - brought to the stage by Stefan Pucher - is both an adventurous sailor's yarn and a reflection on the fatal art of seduction of a demagogue.
Moby DickBased on Oscar Wilde's famous one-act play, Polish director Ewelina Marciniak completely reinterprets the character of Salome. She is no longer a scandalised femme fatale, but a young woman who tries to free herself from the constraints of her surroundings by any means necessary.
SalomeJovana Reisinger’s novel follows nine women from early spring to the summer of an unspecified year not far from the present. All of them live in or around Munich and they are all named after women’s magazines. They live and fail representatively, each of them alone and yet collectively, by the images and ideals of what it means to be a woman.
SpitzenreiterinnenAfter many years, Gregers returns to his home country. His father, a successful entrepreneur, offers him the opportunity to join the company management, from which he has to retire for health reasons. Gregers refuses and at the same time learns that his father is secretly financially supporting the family of his old friend Hjalmar Ekdal, who lives in the most modest of circumstances, and becomes suspicious. Why is the capitalist suddenly showing himself to be a philanthropist? In his tragedy, Henrik Ibsen shows how the capitalist system has a direct impact on the private sphere and undermines social cohesion. The Norwegian Johannes Holmen Dahl, one of the most sought-after directors in Scandinavia, is now staging his German debut with a major work by his famous compatriot.
Die Wildente (The wild duck)