Alexander Eisenach
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Alexander Eisenach, geboren 1984 in Ostberlin, ist Autor und Regisseur. Eisenach studierte Theaterwissenschaft und Germanistik in Leipzig und Paris, bevor er als Regieassistent ans Centraltheater Leipzig ging. In der Spielzeit 2013/14 war er Mitglied des Regiestudios am Schauspiel Frankfurt. 2014 wurde dort sein erstes Theaterstück «Das Leben des Joyless Pleasure»uraufgeführt. Seitdem arbeitet er als freier Regisseur, u.a. am Schauspiel Hannover, Schauspiel Graz, Düsseldorfer Schauspielhaus, Deutschen Theater Berlin und Berliner Ensemble. Für die Inszenierung seines Stücks «Der kalte Hauch des Geldes» wurde er mit dem Kurt-Hübner-Regiepreis 2016 ausgezeichnet. Von 2016 bis 2019 war Eisenach Hausregisseur am Schauspiel Hannover. Für seine 360° Livestream Inszenierung «Anthropos, Tyrann (Ödipus)» an der Volksbühne Berlin war er 2021 für den Nestroy in der Sparte «Beste deutschsprachige Aufführung» nominiert. Seit der Spielzeit 2020/2021 inszeniert er regelmäßig am Residenztheater. Hier entstanden die Arbeiten «Einer gegen Alle» nach Oskar Maria Graf, «Der Schiffbruch der Fregatte Medusa», «Götz von Berlichingen» nach Johann Wolfgang Goethe und «Sankt Falstaff» von Ewald Palmetshofer frei nach Shakespeares «King Henry IV».
Seit der Spielzeit 2023/2024 ist Alexander Eisenach Hausregisseur am Residenztheater.
In der Spielzeit 2025/2026 inszeniert er am Residenztheater «Der Untertan» nach dem gleichnamigen Roman von Heinrich Mann.
Productions
Heinrich Mann’s perceptive bildungsroman published in 1914 «The Loyal Subject» is a wickedly humorous portrait of the Wilhelmine Empire and its self-congratulatory middle classes with their nationalistic fantasies of being a great power. Mann’s protagonist Diederich Hessling is a spineless opportunist with no moral courage. He only forgets his insecurities at the stammtisch, working himself up to give great nationalistic speeches. However, Mann does not present Hessling as a joke – he is a complex but ultimately warped personality with a blind faith in authority.
Der Untertan (The Loyal Subject)When Goethe set «Götz von Berlichingen» down on paper in 1771 in a true writing frenzy, the 22-year-old writer was still a complete unknown. This came to an abrupt end with the publication of «Götz», as suddenly the young poet was being talked about everywhere. Goethe’s early work is a powerful stage epic with over fifty locations, several plots running in parallel and a huge cast of characters. What is more: Goethe dispensed with all the customary conventions that 18th century drama had been using up to that point.
Götz von BerlichingenIntrigues, conspiracies, political intrigues - Schiller's tragedy depicts the power struggle between the English Queen Elizabeth I and the Scottish Queen Mary Stuart. But what if only chance decides between power and powerlessness? Then the roles could also be «swapped». For each performance, a draw is held to decide which of the two actresses will play the victor or the vanquished.
Maria StuartA prince of fashion and a fairy-tale king. A bird of paradise and a cult figure. A Munich original and a philanthropist. During the course of his lifetime, Rudolph Moshammer was given countless of these nicknames and soubriquets. Everyone recognized him as an eccentric with his dog Daisy on his arm, a talk show guest and man of society. Like his role model, Bavaria’s fairy-tale king Ludwig II, he loved glamour, opulence, and excess. In his appearances as an actor and in advertisements, as a singer in the preliminary round for the Eurovision Song Contest and with books like «Mama und ich» (Mama and Me), he became a cult figure and his fashion boutique «Carnaval de Venise» in Maximilianstraße became a cult address and place of pilgrimage for Mosi fans.
MOSI - The Bavarian DreamThe French frigate «Medusa» is shipwrecked two days' voyage from its destination. For author and director Alexander Eisenach, the events that follow symbolise a society in which the values of communal coexistence have lost their validity.
Der Schiffbruch der Fregatte Medusa (The shipwreck of the frigate Medusa)Austrian playwright Ewald Palmetshofer translates Shakespeare's royal drama «King Henry IV» into the present day of eroding democracies with sophisticated language and defiant humour.
Sankt Falstaff (Saint Falstaff)