Carolin Conrad

Geboren 1976 in Ulm, studierte Carolin Conrad Schauspiel an der Folkwang Universität der Künste Essen. Dem folgten feste Engagements am Theater der Stadt Heidelberg sowie am Schauspiel Leipzig und Maxim Gorki Theater Berlin. 2009 wechselte sie ans Schauspielhaus Zürich und blieb dort, unterbrochen von einer Spielzeit am Residenztheater, bis 2019 Ensemblemitglied. Sie arbeitete unter anderem mit Robert Schuster, Wolfgang Engel und Armin Petras sowie wiederholt mit Barbara Frey, Sebastian Baumgarten und Karin Henkel. Seit 2019 ist sie festes Ensemblemitglied am Residenztheater. 

Performing in

Robert Icke has congenially translated Arthur Schnitzler's play «Professor Bernhardi» into the present day. The doctor Ruth Wolff not only comes into conflict with her colleagues and the maxims of the Catholic Church, but also into a media shitstorm. The «Times» of London celebrated «The Doctor» as an «open-heart operation on our present day, which gets more complicated the deeper you cut».

Die Ärztin (The Doctor)
Residenztheater, 19.30 o'clock
Wed 30 Apr
WITH ENGLISH SURTITLES
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Residenztheater, 18.30 o'clock
Sun 11 May
WITH ENGLISH SURTITLES
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Residenztheater, 19.30 o'clock
Wed 14 May
WITH ENGLISH SURTITLES
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Residenztheater, 18.30 o'clock
Sun 08 Jun
WITH ENGLISH SURTITLES
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Residenztheater, 19.30 o'clock
Sat 21 Jun
RESI INKLUSIV: WITH AUDIO DESCRIPTION
Residenztheater, 19.30 o'clock
Tue 24 Jun
WITH ENGLISH SURTITLES
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One night a stranger named K. enters a village guest house. He is told that no one is allowed to stay in the village without permission from the authorities in the castle just outside it. K. identifies himself as a surveyor who has been hired by the castle only to be informed three days later that no surveyor is required and it is not even certain that one was ever sent for. For reasons that are unclear and against his wishes, K. is given the job of school caretaker, even though he also receives a letter from the castle confirming that his work as a surveyor was entirely satisfactory. While the castle administration operates in a dubious manner and the decisions of its officials appear arbitrary, the veracity of K.’s incoherent statements is equally subject to doubt.

Das Schloss (The Castle)

The «freedom to act» forms the core of Jean-Paul Sartre's philosophical thinking. What this freedom means for the individual is exemplified in «The Flies» - Sartre's rewriting of Aeschylus' second part of the «Oresteia». Should Orest, who has returned home from exile, take revenge for the murder of his father Agamemnon? And if so, what price is he prepared to pay?

Die Fliegen (The Flies)
Artist Talk Special afterwards
Cuvilliéstheater, 19.30 o'clock
Thu 22 May
Cuvilliéstheater, 20.00 o'clock
Tue 03 Jun

Asiimwe Deborah Kawe's play tells the story of the life's work of an undocumented immigrant. Like so many others, the nurse Achen, the author's main character, contributes with her labour and as a taxpayer to the prosperity of a country that has decided to expel her overnight.

Das Gelobte Land (The promised land)
PremiereWELT/BÜHNE-Festival
Marstall
Sun 01 Jun
ARTIST TALK AFTERWARDS | WITH ENGLISH SURTITLES
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Marstall
Sun 01 Jun
Marstall, 20.00 o'clock
Tue 10 Jun
WITH ENGLISH SURTITLES
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18.30 Introduction
Marstall, 19.00 o'clock
Thu 19 Jun
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When Goethe set «Götz von Berlichingen» down on paper in 1771 in a true writing frenzy, the 22-year-old writer was still a complete unknown. This came to an abrupt end with the publication of «Götz», as suddenly the young poet was being talked about everywhere. Goethe’s early work is a powerful stage epic with over fifty locations, several plots running in parallel and a huge cast of characters. What is more: Goethe dispensed with all the customary conventions that 18th century drama had been using up to that point.

Götz von Berlichingen
For the 25th time
Cuvilliéstheater, 20.00 o'clock
Mon 02 Jun

«Peer, you’re lying!»: Henrik Ibsen immediately highlights the key theme of his dramatic poem  in its opening line – the blurred boundary between illusion and reality. Because Peer, whose youth is shaped by the poverty of his farming background, continually reinvents himself with the aid of stories, lies and the arts of fabulation – as a cosmopolitan, a colonial master and even an Emperor.

Peer Gynt

The French frigate «Medusa» is shipwrecked two days' voyage from its destination. For author and director Alexander Eisenach, the events that follow symbolise a society in which the values of communal coexistence have lost their validity.

Der Schiffbruch der Fregatte Medusa (The shipwreck of the frigate Medusa)
For the 25th time
Marstall, 19.00 o'clock
Sun 18 May
Marstall, 20.00 o'clock
Thu 26 Jun

Jovana Reisinger’s novel follows nine women from early spring to the summer of an unspecified year not far from the present. All of them live in or around Munich and they are all named after women’s magazines. They live and fail representatively, each of them alone and yet collectively, by the images and ideals of what it means to be a woman.

Spitzenreiterinnen
Marstall, 19.00 o'clock
Sun 04 May
If applicable, remaining tickets
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Marstall, 20.00 o'clock
Wed 11 Jun
Marstall, 19.00 o'clock
Sun 29 Jun

Ensemble