Vincent zur Linden
1994 in Düsseldorf geboren und aufgewachsen, studierte Vincent zur Linden Schauspiel von 2013 bis 2017 an der Otto Falckenberg Schule in München. Vor und während des Studiums gastierte er an den Münchner Kammerspielen, am Münchner Volkstheater, am Düsseldorfer Schauspielhaus und am Pathos Theater München. Festengagements führten ihn nach Bielefeld und Basel. Prägende Zusammenarbeiten verbinden ihn u.a. mit den Regisseur*innen Nora Schlocker, Andreas Kriegenburg, Bernhard Mikeska, Milos Lolić, Frank Abt, Mareike Mikat, Prinzip Gonzo und Swen Lasse Awe. Seit der Spielzeit 2022/2023 ist er festes Ensemblemitglied am Residenztheater. 2022 war er für den Theaterpreis DER FAUST in der Kategorie «Darsteller:in Schauspiel» für seine darstellerische Leistung in Philipp Stölzls Inszenierung «Das Vermächtnis (The Inheritance)» nominiert. 2023 erhielt er im Rahmen der Kurt-Meisel-Preisverleihung den Förderpreis und wurde in der Kritikerumfrage von «Theater Heute» zum Nachwuchsschauspieler des Jahres ernannt. Im Jahre 2024 erhielt Vincent zur Linden den Bayerischen Kunstförderpreis in der Kategorie «Darstellende Kunst und Tanz».
Performing in
One night a stranger named K. enters a village guest house. He is told that no one is allowed to stay in the village without permission from the authorities in the castle just outside it. K. identifies himself as a surveyor who has been hired by the castle only to be informed three days later that no surveyor is required and it is not even certain that one was ever sent for. For reasons that are unclear and against his wishes, K. is given the job of school caretaker, even though he also receives a letter from the castle confirming that his work as a surveyor was entirely satisfactory. While the castle administration operates in a dubious manner and the decisions of its officials appear arbitrary, the veracity of K.’s incoherent statements is equally subject to doubt.
Das Schloss (The Castle)After fifteen years in exile, Orestes returns incognito to his home city of Argos – the same city in which his father Agamemnon was murdered by his wife Clytemnestra and her lover Aegisthus on his victorious return from Troy. However, desire for revenge is not the reason for his spontaneous homecoming – it is the rumour of a mysterious plague of flies. When his sister Electra persuades him to stay, it gradually dawns on him that Clytemnestra and Aegisthus are not only cruelly oppressing the people, they have also implicated him in Agamemnon’s murder. Only then does Orestes decide to take action.
Die Fliegen (The Flies)New York City in the final months of the Obama Presidency. While the writer Toby Darling feverishly awaits the premiere of his play, his partner Eric Glass spends time with his acquaintance Walter. His conversations with the 55-year-old take Eric back to a past which as a gay man in his early thirties he only knows from hearsay: the devastating AIDS epidemic that rocked the LGBTQ community at the beginning of the 1980s.
Das Vermächtnis (The Inheritance) – Part 1New York City in the final months of the Obama Presidency. While the writer Toby Darling feverishly awaits the premiere of his play, his partner Eric Glass spends time with his acquaintance Walter. His conversations with the 55-year-old take Eric back to a past which as a gay man in his early thirties he only knows from hearsay: the devastating AIDS epidemic that rocked the LGBTQ community at the beginning of the 1980s.
Das Vermächtnis (The Inheritance) – Part 2Yasmina Reza, the celebrated author of hit social comedies such as «The God of Carnage» and «Life x 3» and bestselling novels – most recently «Serge» – has written a new play that incisively dramatises the profound problems of understanding that increasingly dominate relations between generations.
James Brown trug Lockenwickler (James Brown wore curlers)No other play by Heinrich von Kleist inspires quite so many superlatives as «Käthchen of Heilbronn». It is not only the most successful, but also the most romantic, the most fairy tale-like and at the same time the most mysterious play that he wrote.
Das Käthchen von Heilbronn (Käthchen of Heilbronn)Maria Stuart, the deposed queen of Scotland, seeks asylum in England but soon finds herself imprisoned in a fortress as her aunt, the English queen Elisabeth Tudor, begins to investigate her. When she was seventeen, Maria was allegedly involved in the murder of her husband – that is the official charge, but there are also rumours of a plot to seize the crown right now. Schiller portrays neither of his female protagonists in a particularly flattering light: Maria is an impulsive seductress, Elisabeth is a jealous and indecisive monarch.
Maria StuartThe wedding of Theseus and Hippolyta is just around the corner. But first Theseus has to help his friend Egeus. His daughter Hermia has fallen in love with the wrong man, Lysander. In order to change Hermia's mind, an effective threat is set up. The lovers have only one choice: to flee into the darkness of a dreamy June night. And here, in the pale glow of the wild setting, reality and reason are transformed into sexual desire and animal lust. «A Midsummer Night's Dream» is not only William Shakespeare's best-known comedy, but also perhaps his most abysmal. Stephan Kimmig stages the creatures from Shakespeare's famous fairy world as real-life eccentrics. Weird, unconventional and dazzling, they radically question what is considered normal.
Ein Sommernachtstraum (A Midsummer Night's Dream)