Thomas Hauser
Geboren 1992, wurde er im direkten Anschluss an die Ausbildung an der Otto-Falckenberg-Schule 2015 an den Münchner Kammerspielen engagiert. Der in klassischem Gesang ausgebildete Schauspielstudent lernte Dimiter Gotscheff während seines Studiums für eine Arbeit an «Zement» kennen, die zum Berliner Theatertreffen 2014 eingeladen wurde. An den Münchner Kammerspielen entwickelte er bis 2023 eigene künstlerische Handschriften mit Toshiki Okada, Stefan Pucher, Alexander Giesche, Trajal Harall, Susanne Kennedy, Luis Krawen, Felix Rothenhäusler, Yana Thönnes und weiteren. Thomas Hauser spielt, dreht, singt, flötet, liest, liest vor, macht Kung Fu, ist seit 2015 als Alan Turing in der Uraufführung der gleichnamigen Oper des Komponisten Pierre Jodlowski europaweit unterwegs (Libretto v. Frankfurter Buchpreisträger Frank Witzel) und überlässt die Wahl der Pronomen dem Gegenüber.
Ab der Spielzeit 2024/2025 ist er festes Ensemblemitglied am Residenztheater.
Performing in
One night a stranger named K. enters a village guest house. He is told that no one is allowed to stay in the village without permission from the authorities in the castle just outside it. K. identifies himself as a surveyor who has been hired by the castle only to be informed three days later that no surveyor is required and it is not even certain that one was ever sent for. For reasons that are unclear and against his wishes, K. is given the job of school caretaker, even though he also receives a letter from the castle confirming that his work as a surveyor was entirely satisfactory. While the castle administration operates in a dubious manner and the decisions of its officials appear arbitrary, the veracity of K.’s incoherent statements is equally subject to doubt.
Das Schloss (The Castle)
During the global economic crisis of the 1920s, a young woman tries out self-realization and yet ends up in a restrictive marriage, confronted with misogyny and male bonding as well as the rise of National Socialism. Elsa-Sophie Jach adapts Marieluise Fleisser's only novel for the stage.
Eine Zierde für den Verein (A credit to the club)
In her artistic work, Marion Siéfert searches for theater in the depths of our increasingly digitalized reality. She uses the stage and its long tradition of playing with identity to create a world in which reality and fiction blur into one another, but at the same time brutally collide. In this gamified parallel world, she encounters dozens of players who increasingly cast a spell over her. Among them is twenty-seven-year-old Julien, who invites her to try out the newly released game «Daddy».
Daddy