Linda Blümchen

Geboren 1994 in Berlin, absolvierte Linda Blümchen 2016 bis 2020 an der Universität der Künste Berlin ihr Schauspielstudium und wurde Stipendiatin der Studienstiftung des deutschen Volkes. In der Spielzeit 2018/2019 gehörte sie zum Ensemble des Theater Basel, arbeitete dort u. a. mit Robert Icke und Philipp Stölzl und wurde mit «Graf Öderland» (Regie: Stefan Bachmann) zum Berliner Theatertreffen 2021 eingeladen. Seit der Spielzeit 2020/2021 ist sie festes Ensemblemitglied am Residenztheater und erhielt dort von den Freunden des Residenztheaters den «RESI SENDET-Digitalpreis». Hier arbeitet sie u. a. gemeinsam mit Karin Henkel, Mateja Koležnik, Thom Luz, Stefan Kimmig, Robert Borgmann, Philip J Morris und Elsa-Sophie Jach.

Im Jahre 2024 erhielt Linda Blümchen den Bayerischen Kunstförderpreis in der Kategorie «Darstellende Kunst und Tanz».

Performing in

In poetic images and with moving music, the ensemble of actors, dancers and singers tell a drama about the unfulfilled love of Hans Christian Andersen's unfulfilled love and how the famous fairy tale writer fairy tale poet merges with one of his most famous characters, the the little mermaid. Andersen's escape from reality becomes a touching, visually stunning theatre event.

Andersens Erzählungen (Andersen’s stories)
Residenztheater, 19.30 o'clock
Thu 17 Apr
WITH ENGLISH SURTITLES
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One night a stranger named K. enters a village guest house. He is told that no one is allowed to stay in the village without permission from the authorities in the castle just outside it. K. identifies himself as a surveyor who has been hired by the castle only to be informed three days later that no surveyor is required and it is not even certain that one was ever sent for. For reasons that are unclear and against his wishes, K. is given the job of school caretaker, even though he also receives a letter from the castle confirming that his work as a surveyor was entirely satisfactory. While the castle administration operates in a dubious manner and the decisions of its officials appear arbitrary, the veracity of K.’s incoherent statements is equally subject to doubt.

Das Schloss (The Castle)

No other play by Heinrich von Kleist inspires quite so many superlatives as «Käthchen of Heilbronn». It is not only the most successful, but also the most romantic, the most fairy tale-like and at the same time the most mysterious play that he wrote.

Das Käthchen von Heilbronn (Käthchen of Heilbronn)
Cuvilliéstheater, 19.30 o'clock
Thu 29 May

Ishmael signs on to the «Pequod», an old whaler. However, it soon becomes clear that the aim of the voyage is not just to exploit the world's oceans and their giant marine mammals, but Captain Ahab's personal vendetta. Melville's «Moby Dick» - brought to the stage by Stefan Pucher - is both an adventurous sailor's yarn and a reflection on the fatal art of seduction of a demagogue.

Moby Dick
Theatertag
Residenztheater, 18.30 o'clock
Sun 25 May
WITH ENGLISH SURTITLES
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In Stephan Kimmig's production, the boundaries between Shakespeare's fairy world and the harsh reality of the big city become blurred. Fuelled by Puck's magic, a summer night unfolds in which soon no one knows where love ends and obsession begins.

Ein Sommernachtstraum (A Midsummer Night's Dream)
Residenztheater, 18.30 o'clock
Sun 20 Apr
WITH ENGLISH SURTITLES
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Residenztheater, 19.30 o'clock
Mon 19 May
WITH ENGLISH SURTITLES
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Based on Oscar Wilde's famous one-act play, Polish director Ewelina Marciniak completely reinterprets the character of Salome. She is no longer a scandalised femme fatale, but a young woman who tries to free herself from the constraints of her surroundings by any means necessary.

Salome
Cuvilliéstheater, 19.30 o'clock
Sat 24 May
7 pm Introduction
Cuvilliéstheater, 19.30 o'clock
Tue 27 May

Ensemble