Ilja Mirsky
llja Mirsky studierte Kognitionswissenschaften an der Universität Tübingen, Politik, Literatur und Psychologie an der Universität Haifa (Israel) und Performance Studies an der Universität Hamburg. Er unterrichtet zu immersiven Medien und digitaler Dramaturgie an der ADK Ludwigsburg, der Universität Tübingen und an der University of Arts Helsinki. Von 2019 bis 2022 war er Dramaturg und regelmäßig auch Programmierer am Institut für theatrale Zukunftsforschung (ITZ) im Tübinger Zimmertheater.
Seit der Spielzeit 2022/2023 ist er Digitaldramaturg und Dramaturg am Residenztheater.
Productions
«Yes - No», «Light - Dark», «There - Away», «Breakfast or not», «War or not» - author Nele Stuhler has collected lists of opposites that question the depths of everyday life as well as the very big world situation and put them into poem form. A poetic and highly comical concert of contradictions performed by three actors on an open stage.
Und oder oder oder oder und und beziehungsweise und oder beziehungsweise oder und beziehungsweise einfach und
«And often the outward signs of ascent only become apparent once the decline has begun again.» In his 1901 novel, subtitled «The Decline of a Family», Thomas Mann uses precise characterisation and an ironic style to describe the incipient structural collapse of the grande bourgeoisie. Mann drew his inspiration for «Buddenbrooks» from the story of his own family in Lübeck and people of the city where he was living at the time: Munich. Mann shows the potential complexity of relations between North and South Germany with considerable humour in the relationship between Tony Buddenbrook and the Munich hop-trader Alois Permaneder.
Buddenbrooks
Hollywood, glamour, seduction: Mara becomes a star in the game «Daddy». But the deeper she immerses herself in the dazzling dream world, the more the boundaries between reality and fiction become blurred. Marion Siéfert and Matthieu Bareyre transform the stage into a virtual playing field and expose the promises and abysses of the digital world.
Daddy
A prince of fashion and a fairy-tale king. A bird of paradise and a cult figure. A Munich original and a philanthropist. During the course of his lifetime, Rudolph Moshammer was given countless of these nicknames and soubriquets. Everyone recognized him as an eccentric with his dog Daisy on his arm, a talk show guest and man of society. Like his role model, Bavaria’s fairy-tale king Ludwig II, he loved glamour, opulence, and excess. In his appearances as an actor and in advertisements, as a singer in the preliminary round for the Eurovision Song Contest and with books like «Mama und ich» (Mama and Me), he became a cult figure and his fashion boutique «Carnaval de Venise» in Maximilianstraße became a cult address and place of pilgrimage for Mosi fans.
MOSI - The Bavarian Dream