Delschad Numan Khorschid
Geboren 1983 im Irak, absolvierte Delschad Numan Khorschid sein Schauspielstudium an der Berliner Schule für Schauspiel. Im Anschluss daran war er am Mittelsächsischen Theater Freiberg auf der Bühne zu erleben. Seit der Spielzeit 2019/2020 ist er festes Ensemblemitglied am Residenztheater.
Performing in
Mit Schauspieler*innen des Residenztheaters
Shakespeare für KinderDr. Ruth Wolff is a celebrated doctor and agnostic Jew. When she refuses a Catholic priest access to a young patient in a terminal condition, the incident soon has major repercussions and Ruth finds herself at the centre of a media shitstorm that threatens her entire way of life.
The writer and director Robert Icke has transposed Arthur Schnitzler’s play «Professor Bernhardi» (1912) vividly into the present. The «Times» of London described «The Doctor» as being «as slippery, muscular and complex as a human heart, more intricate the deeper his dissection goes.»
Die Ärztin (The Doctor)Imagine that you haven’t been born yet. And imagine too that your whole life so far is unimportant. Just like all the opportunities you might have missed or bad decisions you might have made. Leave it all behind you. In «Now or Never» we are going to make a completely fresh start!
Jetzt oder nie (Now or never)You are how you speak. Professor of Phonetics Higgins makes a bet with his friend Pickering that he can turn the energetic Eliza Doolittle, who sells flowers in the street to make ends meet and speaks the broadest dialect, into an upper-class lady with immaculate articulation. Eliza proves to be a disciplined and talented pupil who manages to pass the test of entering high society. Higgins attributes this success to his own genius and automatically lays claim to her. He fails to notice that his teaching has helped Eliza to become a self-aware and thoughtful woman who is not only capable of making her own decisions but of acting on them too.
PygmalionAt Whitsun the lion king Nobel invites his subjects to his court for an early summer celebration. The entire animal kingdom gathers – ranging from the crane to the wolf and the bear. Only one animal is missing: the fox called Reineke. As soon as his name his mentioned, the mood of harmony vanishes. One angry accusation follows another and Reinike the fox is charged in his absence with a series of incredible crimes. The cockerel, for example, complains of losing his wife and children – Reineke ate them for supper. When he is eventually put on trial, the accomplished liar – an animal equivalent of Ibsen’s Peer Gynt – manages to pull the wool over everyone’s eyes – man, woman or creature – and slip his neck out of the noose. Eventually he even acquires a whole crowd of followers and is elected Chancellor.
The moral of the story is that not everyone with foxy cunning and a talent for oratory puts those gifts to benevolent use – on the contrary! But how can we tell the difference between truth and lies? How can we avoid being taken in by the peddlers of fake news? How can we remain faithful to our own opinions and values?
Reineke FuchsThe wedding of Theseus and Hippolyta is just around the corner. But first Theseus has to help his friend Egeus. His daughter Hermia has fallen in love with the wrong man, Lysander. In order to change Hermia's mind, an effective threat is set up. The lovers have only one choice: to flee into the darkness of a dreamy June night. And here, in the pale glow of the wild setting, reality and reason are transformed into sexual desire and animal lust. «A Midsummer Night's Dream» is not only William Shakespeare's best-known comedy, but also perhaps his most abysmal. Stephan Kimmig stages the creatures from Shakespeare's famous fairy world as real-life eccentrics. Weird, unconventional and dazzling, they radically question what is considered normal.
Ein Sommernachtstraum (A Midsummer Night's Dream)