Kathi Maurer

Kathi Maurer was born in Munich and, after a one-year internship in the costume department of the Residenztheater, initially studied at Central St. Martin's College of Art and Design in London before moving to Achim Freyer's stage design class at the Berlin University of the Arts. As a costume designer, she works internationally at opera houses, theaters and festivals, including the Salzburg Festival, the Baden-Baden Easter Festival, the Perm Opera, the Opéra de Dijon, the Hamburg State Opera, the Cologne Opera, the three Berlin opera houses, the Bregenz Festival, the Festival d'Aix-en-Provence and the Ruhrtriennale. Further work has taken her to numerous German-speaking theaters, including Munich, Basel, Zurich, Hamburg, Dresden, Leipzig and Frankfurt am Main. She has a close artistic collaboration with director Philipp Stölzl. At the Residenztheater, this collaboration included the costumes for the German-language premiere of «Das Vermächtnis», invited to the Berlin Theatertreffen 2023, as well as for the world premiere of «James Brown trug Lockenwickler» by Yasmina Reza and for «Andersens Erzählungen».

 

Performing in

In poetic images and with moving music, the ensemble of actors, dancers and singers tell a drama about the unfulfilled love of Hans Christian Andersen's unfulfilled love and how the famous fairy tale writer fairy tale poet merges with one of his most famous characters, the the little mermaid. Andersen's escape from reality becomes a touching, visually stunning theatre event.

Andersens Erzählungen (Andersen’s stories)

After a quarter of a century, Brandner Kaspar returns to the Residenztheater – and how! Based on Franz von Kobell's dialect story, Franz Xaver Kroetz tells the story of the Bavarian stubborn man who refuses to bow even to Death himself, the Boanlkramer, in a very honest and touching way, yet completely unsentimental and with a great deal of humour. Munich-based film, theatre and opera director Philipp Stölzl brings the «Gschichtn vom Brandner Kaspar» to the stage as a «big picture book, because the play is, of course, a fairy tale».

Gschichtn vom Brandner Kaspar (Stories from Brandner Kaspar)
Residenztheater, 19.30 o'clock
Fri 5 Jun
Residenztheater, 19.30 o'clock
Sat 6 Jun
Residenztheater, 18.30 o'clock
Sun 12 Jul
Residenztheater, 18.30 o'clock
Sun 26 Jul

Under the indifferent moon of Soho, London’s underworld attempts to arrest Mack the Knife with songs and words that are polished as sharp as his own blade. With »The Threepenny Opera« (world premiere 1928), Brecht, Hauptmann and Weill created an entirely new form of music theatre. A play about a society in which everything is reduced to its monetary value and criminals are citizens – and vice versa.  

Die Dreigroschenoper (The Threepenny Opera)
Premiere
Residenztheater, 18.30 o'clock
Sun 27 Sep

New York City in the final months of the Obama Presidency. While the writer Toby Darling feverishly awaits the premiere of his play, his partner Eric Glass spends time with his acquaintance Walter. His conversations with the 55-year-old take Eric back to a past which as a gay man in his early thirties he only knows from hearsay: the devastating AIDS epidemic that rocked the LGBTQ community at the beginning of the 1980s. 

Das Vermächtnis (The Inheritance) – Part 1
For the last time
Residenztheater, 15.00 o'clock
Sun 21 Jun

New York City in the final months of the Obama Presidency. While the writer Toby Darling feverishly awaits the premiere of his play, his partner Eric Glass spends time with his acquaintance Walter. His conversations with the 55-year-old take Eric back to a past which as a gay man in his early thirties he only knows from hearsay: the devastating AIDS epidemic that rocked the LGBTQ community at the beginning of the 1980s.

Das Vermächtnis (The Inheritance) – Part 2
For the last time
Residenztheater, 19.00 o'clock
Sun 21 Jun

Yasmina Reza, the celebrated author of hit social comedies such as «The God of Carnage» and «Life x 3» and bestselling novels – most recently «Serge» – has written a new play that incisively dramatises the profound problems of understanding that increasingly dominate relations between generations.

James Brown trug Lockenwickler (James Brown wore curlers)