Nia Damerell
Nia Damerell arbeitet seit 2010 als Bühnen- und Kostümbildnerin. Sie erhielt ihren BA in Szenografie von der Norwegischen Theaterakademie und der Königlichen Theaterschule in Kopenhagen. Sie hat als Bühnen- und Kostümbildnerin für Tanz und Theater in Norwegen, Dänemark, Polen, Deutschland und den Niederlanden gearbeitet. Eine Auswahl von Theaterproduktionen sind «Peer Gynt» an der Norwegischen Oper und dem Bergen Festspiel, «Zeit für Freude», «Persona» und «Antigone» am Norwegischen Theater, «Hamlet» und «Peer Gynt» am Nationaltheater, «Das Große Heft» am Staatstheater Stuttgart, «Die lächerliche Finsternis» und «Die Glasmenagerie» am Trøndelag Theater.
Productions
After many years, Gregers returns to his home country. His father, a successful entrepreneur, offers him the opportunity to join the company management, from which he has to retire for health reasons. Gregers refuses and at the same time learns that his father is secretly financially supporting the family of his old friend Hjalmar Ekdal, who lives in the most modest of circumstances, and becomes suspicious. Why is the capitalist suddenly showing himself to be a philanthropist? In his tragedy, Henrik Ibsen shows how the capitalist system has a direct impact on the private sphere and undermines social cohesion. The Norwegian Johannes Holmen Dahl, one of the most sought-after directors in Scandinavia, is now staging his German debut with a major work by his famous compatriot.
Die Wildente (The wild duck)